Easily Distracted by Steve Coogan
Published by: Century
Let’s be clear: Steve Coogan is not Alan Partridge.
There are similarities, obviously. They both look almost exactly the same. Both are totally car-obsessed. Both have a love for James Bond. In one episode of I’m Alan Partridge…, Partridge memorably recreates the entire opening sequence of The Spy Who Loves Me. Coogan, meanwhile, admits to having a picture of Roger Moore in a safari suit on his bedroom wall as a child. As an adult, he was overjoyed to be mentioned briefly in Roger Moore’s own autobiography.
But the resemblance soon ends. Partridge seems to be always around ten years older than Coogan himself. Coogan has just turned fifty, Partridge must thus be now about sixty, although the age gap seemed to narrow in the film, Alpha Papa. Coogan is a left-winger with an understandable and fully justified hatred of our tabloid press. Partridge is much less politically sophisticated, a Daily Mail reader and “homosceptic” who supports the death penalty “for treason and murder”. Coogan has been much more successful with women than Alan, who makes largely inept romantic overtures towards beauty show contestants, much younger radio station employees and whose idea of a hot date is going to a “cracking owl sanctuary”. Oddly, Coogan attributes his success in this regard, which predates his fame to his essential geekiness: “they liked the fact that I wasn’t an alpha male. I was a bit square. A bit nerdish.” It has often ended in disaster, however.
There is far more to Steve Coogan than Alan Partridge, however, and despite an occasional failure (like his 24 Hour Party People character, his real life friend Tony Wilson) to wear his learning lightly and avoid pretension (“I’ve learned late in life to understand the true beauty of thoughts and reflections”), this is an enjoyable well-written book. The first section deals with various highs and lows: his recent triumph with the film, Philomena, his war with the evil forces of News International, the filming of Alpha Papa and an early nadir at the 1990 Edinburgh Festival during which he “spent far too much time imagining what it would be like to be Sean Hughes” then seemingly bound for superstardom, hard as it is to believe now. The second section is more chronological, describing his generally happy Irish Catholic northern English upbringing. His brother later had a top twenty hit with the Mock Turtles’ “Can You Dig It?”
The third segment deals with Coogan’s rise to fame through college, Spitting Image and radio and TV up to the mid-nineties. There is perhaps not enough about Coogan’s actual career since he achieved fame: Around The World In Eighty Days isn’t mentioned, perhaps understandably as it was a big flop, nor is Dr Terrible’s House of Horrible. But successes like Cruise of the Gods and Coogan’s Run are barely mentioned either. Coogan will also doubtless surprise many by admitting to liking Saxondale more than Alan Partridge.
Comedy is a vicious business but while he admits to rightly loathing Bernard Manning who he has met, On The Buses and to not personally being a fan of Michael McIntyre (“not my cup of tea”), he is remarkably generous about almost everyone he has worked with, usually only encountering tension with them if they are unable to work with him again for some reason. He admits to finding Chris Morris “odd” and was “hurt” when John Thomson, by then a big star thanks to The Fast Show and Cold Feet understandably no longer wanted to be Paul Calf’s sidekick “Fat Bob” anymore. Coogan also once almost came to blows with early collaborator Patrick Marber (a regular on Alan Partridge’s sofa, who in one guise was accidentally shot dead on TV by Alan on the last episode of Knowing Me, Knowing You…”) and the two seem to have drifted apart, despite reconciling afterwards. Marber is now better known as a writer and screenwriter but Coogan is still clearly immensely grateful to him. “God bless Patrick Marber,” are words unlikely to crop up in Lee and Herring’s memoirs. They appear here.
In A Cock and Bull Story (and later The Trip) Steve Coogan’s character is continuously annoyed when Rob Brydon repeatedly adopts an Alan Partridge voice to impersonate Coogan. In truth, he seems far more at ease with his inner demons than tabloid mythology suggests. Let us hope so. He is a national treasure.
And the book? Lovely stuff.