The following review was first published in DVD Monthly magazine in 2005.
Sub-heading: The Truman Show
Region 1 review. Text by Chris Hallam Starring: Philip Seymour Hoffman, Catherine Keener, Clifton Collins Jr., Chris Cooper, Bruce Greenwood, Bob Balaban Director: Bennett Miller
The Lowdown: On learning of the brutal murder of the Clutter family in rural Kansas, author and celebrity Truman Capote travels to the victims’ town with his lifelong friend, novelist Harper Lee. By befriending the local community, sheriff and the killers, he finds material for his literary masterpiece ‘In Cold Blood’.
God knows what the good people of Kansas made of Truman Capote in 1959. Short, portly and as camp as a field of boy scouts, the ‘Breakfast At Tiffany’s’ author was openly gay and more familiar with swanky New York literary parties than courtrooms and jail cells.
Capote’s personal investigation into the Clutter murders was to prove a turning point not just in his own life but also in the history of literature. ‘In Cold Blood’ would provide a compelling mix of fact and fiction that would revolutionise modern journalism. Yet the moment of Capote’s greatest triumph would also precipitate his downfall. The film centres on the author’s conflict as he befriends one of the accused men Perry Smith while ultimately hoping to benefit from his execution (if only because it would guarantee a suitable finale for his book). By focusing exclusively on the crucial 1959-1965 period, ‘Capote’ reveals as much as any standard cradle to grave ‘Truman is born, realises he’s gay, writes, becomes a success, parties, drinks a lot, falls out with everyone, dies’ biopic would have done. It also gets round the thorny issue that unless the subject is a suicidal maniac like Virginia Woolf or Sylvia Plath, the process of writing (as with the world of computer hacking) is notoriously un-cinematic.
As Capote, Hollywood’s second most famous Hoffman is great, richly deserving his Oscar. But he’s not the only good thing here. The ever excellent Catherine Keener also excels as Harper Lee, Capote’s lifelong friend (Truman was the model for Dill in her ‘To Kill A Mockingbird’) whose success eats Capote up with jealousy. And with a flawless cast and sensitive intelligent screenplay from TV actor Dan Futterman, newbie director Miller (who has only directed one documentary before) doesn’t put a foot wrong.
Extras-wise, as so often before, the splitting of the ‘Making of’ featurette into two, merely serves as a none too convincing cover for the fact that neither are more than a few minutes long. And while both are good – the first half cantering more on Capote the man, the second more on ‘Capote’ the film – a longer documentary on Capote is sorely missed as it’s exactly the sort of film to leaves you thirsting for more info about its subject. Hoffman and Miller’s generally sedate commentary is lifted by Hoffman’s refreshing frankness in frequently admitting his struggle to get into character in many of his (ostensibly flawless) scenes. The other commentary in which Miller returns with cinematographer Kimmel is less interesting. But while more input from the screenwriters would have been appreciated, this is a generally fine package, which like the film, cannot easily be faulted.
Text By Chris Hallam
Captions 1: Hoffman lost 40 pounds for the role (although is still six and half inches taller than Capote was).
2: Catherine Keener plays Capote’s friend, author Harper Lee. The real Lee reputedly liked the film.
3: Unusually, two out of five of this year’s Best Picture nominees centred on gay characters.
4: Chris Cooper: in this and every other film this year seemingly.
5: The accused men have rather more riding on the outcome of the case than the success of a book. 6: The real Capote boozed himself to death in 1984.
Final Verdict An excellent, well-acted portrait of a troubled, super intelligent man at a pivotal stage in his life.
Rating FILM: 8 EXTRAS: 7