My cinema year: 1984

TOP US FILMS OF 1984

(Number I saw at the cinema then: 1. Number I have seen now: 10)

  1. Beverly Hills Cop
  2. Ghostbusters
  3. Indiana Jones and the Temple of Doom
  4. Gremlins
  5. The Karate Kid
  6. Police Academy
  7. Footloose
  8. Romancing The Stone
  9. Star Trek III: The Search For Spock
  10. Splash

I’ve written a fair few film reviews over the years but thankfully have never had to write a review of Ghostbusters. Why “thankfully” you may ask? The simple answer is, because it was such a big film during my early childhood that I really cannot view it impartially. Is it a good film or is it a bad film? I honestly can’t tell.

Perhaps that’s not quite true. I can say fairly confidently that it isn’t a “bad” film per se. It’s also so fondly remembered that it had definitely achieved a degree of classic status. As Adam Buxton has noted, it was also marketed very well. I later had the Atari computer game (“Don’t cross the streams!”). I love the Stay Puft Marshmallow bit. I actually thought he was real for a while too. Not “real”: but I thought he was a genuine US advertising symbol who had been turned into a monster for the film. But he wasn’t. He was entirely made up for Ghostbusters.

Nearly thirty years later, I actually selected Ghostbusters the song to be played at my wedding (although not for the ‘first dance). It was a popular choice. But is it a genuinely good film? I honestly don’t know.

As with E.T., I had a shock early on: the library ghost sequence is easily the scariest bit in a not very scary film. But I was older now (eight, in fact: I’m sure I didn’t see it until 1985) and was now confident enough to still enjoy the film. I went to see it with my mum who didn’t like it at all. I seem to remember her being so bored that she read a magazine during the film. My memory may be playing me false here, however. How would she have read a magazine in the dark? I don’t think she liked it though anyway.

For the first time, I’ve actually seen all ten films listed, so I’ll run through them all quickly. 1984 seems to have been a much better film year than 1983:

Beverly Hills Cop: Really surprised this beat Ghostbusters to the top spot. Okay, but nothing special as I remember. People went nuts about the theme tune though.

Temple of Doom: Okay, but EASILY the worst of the three 1980s Indy films. I first saw it when it was broadcast on TV on Christmas Day a few years later. Part of the problem is that while the first film is based around the mythical Ark of the Covenant and the third one is based around the mythical Holy Grail, this one’s based around the…er… famous temple of Doom? It might as well be called Indiana Jones and ‘the Chamber of Bollocks.” Too silly, too much screeching, too many jumpy bits. And a bit racist, let’s face it.

Gremlins: Was scared to see this for a while after hearing an American relative describe how evil and demonic the Gremlins are. Of course, I saw it eventually, perhaps in my teens and wasn’t scared at all. It’s great fun. And all the “don’t get them wet/don’t feed them after midnight” stuff is genius.

The Karate Kid: Didn’t see this until my thirties when my wife made me watch it to fill a gap in my cinematic education. It’s okay. I suspect I’d like it more now if I had seen it as a child.

Police Academy: The sort of thing I used to end up watching on video at a friend’s house in the late 1980s. Confused me for a while: are all gay men big leather-clad bikers? Generally not a big fan. But I did later see Police Academy 6: City Under Siege at the cinema. No excuse really.

Footloose: Didn’t see this until my twenties. I still like it a lot though. John Lithgow can do no wrong in my eyes. The “Let’s Here It For The Boy” bit always makes me a bit sad though. Chris Penn was clearly so fit and healthy-looking then. What on Earth went wrong?

Romancing The Stone: Good, as I remember. We saw it as an end of term treat at junior school. It was a relatively ‘dangerous’ choice. The sequel’s not as good though.

Star Trek III: It’s easy to forget how popular Star Trek films were at the time. No one really watches them now. This was an odd numbered Star Trek film though and thus DULL.

Splash: An early video choice for the family. Very likeable and the first time I’d seen Tom Hanks in anything.

2000AD timeline 8: 1984

1984 (Progs 350 – 398)

There are fewer progs of 2000AD than usual this year, due to industrial action halting publication of the Galaxy’s Greatest comic for several weeks in the summer.

March (Prog 359): Judge Dredd investigates The Haunting of Sector House 9 (Wagner and Grant/Brett Ewins).

(Prog 362): The cover price rises to 22p.

April (Prog 366): Dave the Orangutan makes his first appearance in Portrait of a Politician in Judge Dredd.

July (Prog 376): The Ballad of Halo Jones (Alan Moore/Ian Gibson) begins. Initially not popular, in time it becomes one of the most highly acclaimed 2000AD stories ever produced.

August (Prog 377): Mean Machine returns in Dredd Angel (Wagner and Grant/Ron Smith). This is the first issue in a month, following a printers’ strike.

September (Prog 385): Halo Jones Book One ends. Strontium Dog saga Outlaw! ends too.

October (Prog 387): Nemesis the Warlock encounters The Gothic Empire (Mills/O’Neill). The story will see him re-unite the ABC Warriors as well as ex-Ro-Busters, Ro-Jaws and Mek-Quake.

November (Prog 392): Rogue Trooper tracks down the Traitor General.

Other strips this year include: The Helltrekers, Ace Trucking Co., Rogue Trooper, Slaine and D.R. and Quinch.

(Prog 393): The final and perhaps best of the comic adaptations of Harry Harrison’s novels, The Stainless Steel Rat For President begins (Gosnell/Ezquerra). Judge Dredd meanwhile confronts the Hill Street Blues in City of the Damned.

Elsewhere:

February: Surprisingly disturbing John Wyndham adaptation, Chocky airs on Children’s ITV. Chocky’s Children (1985) and Chocky’s Children (1986) later follow.

March: Horror comic Scream! is launched. Sadly, it finishes in June, partly as a result of the strikes this year. Stories such as The Thirteenth Floor find their way into The Eagle.

Peter Davison regenerates into Colin Baker on Doctor Who.

July: William Gibson’s ground-breaking cyberpunk novel, Neuromancer is published.

Star Trek III: The Search For Spock arrives. It is one of the odd numbered ones, so is generally considered less than good.

The Last Starfighter is released in the US.

Extra-terrestrial thriller, V lands on ITV this summer.

August: The first series of Manimal hits the UK.

September: The Tripods stride boldly onto British TV screens. Horrifying nuclear war drama, Threads is also broadcast.

October: Conan the Destroyer is unleashed.

November: The fourth Hitchhiker’s Guide to the Galaxy book, So Long and Thanks For All The Fish by Douglas Adams is published.

December: The year ends on a high as Ghostbusters hits UK cinemas along with Joe Dante’s Gremlins. As does David Lynch’s Dune.

Chris Hallam is a freelance writer. Originally from Peterborough, he now lives in Exeter with his wife. He writes for a number of magazines and websites including The Companion, Yours Retro, Best of British and Comic Scene – in which he wrote about Judge Death, The Ballad of Halo Jones, Dan Dare, The Eagle, Metalzoic and Alan Moore’s Watchmen. In the past, he wrote for Metro.co.uk, Radio Times, DVD Monthly and Geeky Monkey. He co-wrote the book, Secret Exeter (with Tim Isaac) and wrote A-Z of Exeter – People, Places, History. He also provided all the written content for the 2014 annuals for The Smurfs, Furbys and Star Wars Clone Wars as well as for sections of the 2014 South Park annual and all the 2015 Transformers annual.

Audiobook review: Ramble Book: Musings on Childhood, Friendship, Family and 80s Pop Culture

Do you know Adam Buxton? If you don’t, you should.

Long time ‘Buckles’ fans such as myself will have first encountered him on the hugely inventive late night 1990s Channel 4 programme, The Adam and Joe Show, which he hosted with his old schoolfriend, the equally hilarious Joe Cornish, now a film director. In the 2000s, the duo retained their cult status with an excellent radio show on what was then BBC 6 Music while Adam made occasional appearances in films like Stardust and Hot Fuzz. In the second of these, he plays an amateurish West Country reporter who suffers a comically horrific Omen-style death outside a cathedral. In recent years, he has become known for his celebrated podcasts which he records, often in the company of his dog, Rosie, from his home in Norfolk. He has also done many more things in the first fifty years of his life, than my brief summary here suggests. Many of these are mentioned this book.

Due to the current global state of unpleasantness, the release of the actual book has been delayed until September. This is no great tragedy for anyone with the inclination and capacity to listen to this audio version of his autobiography, however, as it’s available now. The book reads very much like an extended version of one of Buxton’s podcasts and which, like that, is nicely broken up by amusing ingenious musical jingles and occasional comments on the text from the reader (who is, of course, Buxton himself).

Fans of The Adam and Joe Show will remember the BaaadDad sequences in which Adam’s father, would make a guest appearance to provide a unique upper middle-class seventy-something’s perspective on the popular music of the day. Typically expressing presumably perfectly genuine outrage at the likes of Firestarter by The Prodigy or Born Slippy by Underworld, these reviews were one of the most popular bits of the show.

In reality, Nigel Buxton, who died in 2015, aged 91, though certainly not an out and out ‘bad dad’ himself, nevertheless seems to have often been a difficult person. His presence looms large in the book. Despite the moderate degree of celebrity he achieved through his son’s show late in life, Buxton the Elder, a onetime writer for the Telegraph seems to have regarded Adam’s obsession with popular culture and pursuit of a comedy career with a degree of disdain, often bordering on contempt. A particular peculiarity of the older Buxton’s personality was his absolute obsession with keeping Adam in private education, very nearly bankrupting himself in the process. At one point, he was reduced to asking for a substantial loan from his friend, John Le Carré to pay for it (the famous author was not forthcoming). Adam – who initially suffered terrible homesickness after being sent away from home to boarding school at the age of nine – had no idea about the financial crisis his father had needlessly created for himself, until many years later.

If Nigel Buxton’s aim was to instil in his son the same sometimes dubious values which he possessed himself, he failed. Adam Buxton is never less than respectful to the memory of his father, throughout this memoir. But his obsession with the trivia and minutiae of popular culture, liberal outlook and a sense of humour, have ensured that he is about as different a man from his father as it’s possible to be.

A sad development since the book was completed has been the death of Adam’s mother which he has spoken movingly about on his podcast.

Perhaps we should be grateful to Adam’s father for his public school obsession. For it was at school that Adam formed his career-defining friendship with Joe Cornish (as well as Louis Theroux).

This is ultimately an often very funny and enjoyable account of Buxton’s formative years with particular focus on the 1980s: the decade which saw him move from childhood to adulthood.

Anyone who remembers the 1970s and 1980s will find much of resonance here: Adam’s discovery of Kraftwerk through surreptitious late night listening to Radio Caroline while at school, details of an explosive adolescent erotic dream about the actress June Whitfield, happy experiences seeing Ghostbusters and less happy experiences watching David Lynch’s Dune.

There are also occasional light hearted interruptions with details of a log of recent arguments Adam has had with his wife, anecdotes about socially awkward experiences Adam has experienced on trains and perhaps a little too much about his obsession with David Bowie.

As the title suggests, Buxton is inclined to ramble here, just as he does during his ‘Ramble Chats,’ when he interviews people on his podcast. But this is an enjoyable read. Adam Buxton is a thoroughly charming man and is always a delight to listen to.

Ramble Book: Musings on Childhood, Friendship, Family and 80s Pop Culture, by Adam Buxton. Audiobook available now. Hardback/Kindle version available: 3rd September 2020. Published by: Mudlark.