Book review: Carry On Regardless, by Caroline Frost

“Isn’t it funny that a series called the Carry On films has stopped?” jokes the comedian, Tim Vine.
They in fact stopped a very long time ago now – in 1978 – but the public fascination with them has never ceased. From the gentle but jolly black-and-white National Service comedy, Carry On Sergeant in 1958 to the abysmal Carry On Emmannuelle twenty years later, a total of thirty Carry Ons films were produced. The early films such as the most second and most commercially successful release, Carry On Nurse (1958) were written by Norman Hudis and tended to poke gentle fun at national institutions, for example, the Army, hospitals, police force and schools. A big change came when Talbot Rothwell took over as screenwriter for the the 007 spoof, Carry On Spying (1964), a development which coincided with the arrival of Barbara Windsor on the cast and the move into colour. Carry On Spying in which Windsor played Daphne Honeybutt was the last one to appear in black-and-white.

From that point onwards, the films became less innocent and more smutty. Characters started having names like Dr. Tinkle and Gladstone Screwer and the films were crammed with all the sexual innuendoes (“Ooh! What a lovely pair!” “Once a week is enough for any man|!”) which they’ve become notorious for. On the plus side, they also became notably more ambitious, parodying everything from historical epics (Carry On Cleo, the most highly regarded of the series or Carry On Up The Khyber) to the Hammer Horror series (Carry On Screaming) with mostly enjoyable results, while always remaining cheap to produce.


As the 1970s began, however, things took a turn for the worse as the changing social mores of the ever more permissive society pushed the films into the gutter. Carry On Henry (1971) was good fun and the contemporary Carry On Camping (1969) – famous for the scene in which Barbara Windsor’s top bursts off during an exercise session – was one of the most successful of the whole lot. But by the mid-70s, the quality had declined to such an extent that most of the regular cast (Sid James, Hattie Jacques, Barbara Windsor, Bernard Bresslaw) had abandoned the whole enterprise. Those familiar faces were, of course, a key reason why the films had done so well. By 1992, with many of the originals either dead (Kenneth Williams, Sid James, Peter Butterworth, Charles Hawtrey) or unwilling to be in it (Windsor, Joan Sims, Kenneth Connor, Bernard Bresslaw and others), the disastrous attempt to revive the franchise with Carry On Columbus with a new cast of rising stars such as Julian Cary, Tony Slattery and Martin Clunes was doomed from the start.
Although it doesn’t gloss over the dark side of the series (the actors’ terrible pay, the miserable off-screen personal lives endured by Williams and Hawtrey), Caroline Frost’s book remains an affectionate portrait of a mostly fondly remembered national institution.

Book review: Carry On Regardless, by Caroline Frost. Published by: Pen and Sword. Available : now

DVD/Blu-ray review: School For Scoundrels (1960)

scoundrels - bow tie

Directed by: Robert Hamer

Starring: Ian Carmichael, Terry-Thomas, Alastair Sim, Janette Scott, Dennis Price, Peter Jones

Henry Palfrey (Ian Carmichael) is, by his own admission, a failure. Though he runs his own small office, he proves totally incapable of keeping his newfound girlfriend (Janette Scott) away from the bounder-ish intentions of Raymond Delaunay (Terry-Thomas). After he is conned further into buying a ridiculously clapped-out car, Palfrey decides to take action, travelling to the College of Lifemanship headed by one Dr. Potter (Sim) in Yeovil.

There is plenty to charm here in this film, an adaptation of Stephen Potter’s now largely forgotten Gamesmanship books. Terry-Thomas is on career-best form, peaking during a game of tennis, while the remaining cast (all except Scott, are sadly now deceased) are as reliable as they are familiar to the audience as they must have been to each other. John Le Mesurier, Hattie Jacques and Irene Handl make up the numbers, as does future sitcom writer Jeremy Lloyd (at thirty, playing a school student!)

The problem is indicated by the gentle subtitle, How to Win without Actually Cheating. Cheating would actually be a whole lot more fun than what occurs here and frankly Palfrey’s transformation after the course is more akin to that enjoyed by someone who has just attended a self-assertiveness class than that of someone who has truly turned to the dark side.

The best of the bonus features is British comedy expert Graham McCann’s discussion of Terry-Thomas. For while Peter Bradshaw makes great claims for the film, during his interview, in truth, this is a gentle so-so comedy: pleasant, but little more.

Studio Canal release. Out: now.

Bonus features

Interview with Peter Bradshaw, Film Critic

Interview with Chris Potter, grandson of Stephen Potter

Interview with comedy author Graham McCann on Terry-Thomas

Stills Gallery

Trailer